Europe to America: A Shift In Power 1955-1970

The fifteen-year period covered by the books in this gallery chronicles the gradual yet definitive shift in which Europe lost its prominence in artists’ books and America emerged as a new creative centre. There was a certain inevitability as any of the great European artists and publishers passed from the scene. However, this loss of energy and influence also mirrored what was happening in the contemporary art world as its centre shifted from Paris to New York. In the United States publishers such as Tatyana Grossman of Universal Limited Art Editions determinedly engaged the greatest American artists and writers of the period in the creation of dynamic publications. In addition, the inventive use of technology was in evidence in Los Angeles with the publication of Gemini G.E.L and the often self-published and inexpensive “bookworks” of Ed Ruscha.

Hommage a Roger Lacourière

Suite with 13 illustrations total: 12 engravings, 1 etching with drypoint and burin on China paper; loose in vieux (old) Japan paper leaves.

Notes by Claes Oldenburg

Book with 12 color lithographs on Rives BFK paper embossed with Gemini and copyright marks; loose in cream wrappers with blue lettering on front.

Business Cards by Edward Ruscha

Book with 21 black offset prints (1 of which is separate and stapled in back) on 15 pages, 1 photograph attached to center front cover with black paper.

The Marilyn Monroe Trip

A portfolio of prints in the magazine Avant Garde, March 1968. Screenprints.

Paris sans fin by Alberto Giacometti

Book with 150 lithographs on Arches wove paper, loose in wrappers with black lettering on cover; protective boards covered in beige fabric.

The America Gallery

A portrait fo Tatyana Grossmann, 1968

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