Europe to America: A Shift In Power 1955-1970

The fifteen-year period covered by the books in this gallery chronicles the gradual yet definitive shift in which Europe lost its prominence in artists’ books and America emerged as a new creative centre. There was a certain inevitability as any of the great European artists and publishers passed from the scene. However, this loss of energy and influence also mirrored what was happening in the contemporary art world as its centre shifted from Paris to New York. In the United States publishers such as Tatyana Grossman of Universal Limited Art Editions determinedly engaged the greatest American artists and writers of the period in the creation of dynamic publications. In addition, the inventive use of technology was in evidence in Los Angeles with the publication of Gemini G.E.L and the often self-published and inexpensive “bookworks” of Ed Ruscha.

Pomme endormie by Léna Leclercq

Book with 24 lithographs total: 8 lithographs on Japan nacré paper; suite of 8 lithographs with a Japan nacré folder.

Vivantes cendres, innomées by Michel Leiris

Book with 13 etchings on BFK Rives wove paper; loose in wrappers with black lettering on cover; protective boards covered with paper, black lettering.

Si Je Mourais Là-Bas by Guillaume Apollinaire

Book of 18 wood engravings (some color) on Chiffon a la main wove paper (watermarked "LB"); loose in wrappers of handmade rag wove paper.

Les Douze portraits du célèbre Orbandale

Book with 12 etchings on Rustic China paper; loose within Arches wove paper wrappers; parchment cover with black lettering on front cover.

Obscur laurier by Maryse Lafont

Book with 1 engraving with etching, aquatint and dry point (color) on BFK Rives wove paper; loose in wrappers with lettering on front cover and spine.

The America Gallery

A portrait fo Tatyana Grossmann, 1968

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