Europe to America: A Shift In Power 1955-1970
The fifteen-year period covered by the books in this gallery chronicles the gradual yet definitive shift in which Europe lost its prominence in artists’ books and America emerged as a new creative centre. There was a certain inevitability as any of the great European artists and publishers passed from the scene. However, this loss of energy and influence also mirrored what was happening in the contemporary art world as its centre shifted from Paris to New York. In the United States publishers such as Tatyana Grossman of Universal Limited Art Editions determinedly engaged the greatest American artists and writers of the period in the creation of dynamic publications. In addition, the inventive use of technology was in evidence in Los Angeles with the publication of Gemini G.E.L and the often self-published and inexpensive “bookworks†of Ed Ruscha.
Paroles peintes I
Book with 14 etchings on Johannot paper; loose in wrappers; linen covered protective boards with blue lettering on spine.
A Rake's Progress
Portfolio with 16 etchings (hard- and soft-ground) (1 with lift-ground aquatint), etched on zinc plates, printed on 44 lb. Crisbrooke Royal Hotpress paper.
Idea e spazio by Egle Marini
Book with 12 etchings (color) on wove BFK Rives paper; loose in cream wrappers with lettering on front cover.
Maximiliana, ou l'exercice illégal de l'astronomie
Book with 34 etchings (color) on Antique Japan paper, at front and back are 4 leaves of grey laid paper (2) and mustard wove paper (2), inner cover is grey.
Les Voix by Michel Fardoulis-Lagrange
Book with 21 illustrations total: 10 engravings on copper plate (color) with embossing on BFK Rives wove paper, 1 blind embossed plate for cover.