Europe to America: A Shift In Power 1955-1970
The fifteen-year period covered by the books in this gallery chronicles the gradual yet definitive shift in which Europe lost its prominence in artists’ books and America emerged as a new creative centre. There was a certain inevitability as any of the great European artists and publishers passed from the scene. However, this loss of energy and influence also mirrored what was happening in the contemporary art world as its centre shifted from Paris to New York. In the United States publishers such as Tatyana Grossman of Universal Limited Art Editions determinedly engaged the greatest American artists and writers of the period in the creation of dynamic publications. In addition, the inventive use of technology was in evidence in Los Angeles with the publication of Gemini G.E.L and the often self-published and inexpensive “bookworks†of Ed Ruscha.
December Song by Jean-Jacques Lévêque
Book with 5 illustrations total: 4 woodcuts (color) and one drawing (color) on Rives BFK wove paper, endpapers of green laid paper, binders stamp in gold.
Drawings for Dante's Inferno with commentary by Dore Ashton
Book with 1 lithograph on handmade linen rag paper, 34 facsimile drawings; book bound in decorated paper wrappers; reproductions loose in paper.
Retour amont by René Char
Book with 4 aquatints on ivory wove Rives BFK paper; loose in publisher's ivroy wove paper wrappers.
L'Inhabité by André du Bouchet
Book with 6 etchings on Auvergne des Moulins Richard de Bas wove paper; bound in Blanc Narcisse Vergeure Apta Richard de Bas paper.
Un soupcon by Paul Eluard
Book with 16 drypoints on impérial Japan paper; loose in grey laid paper wrappers; cover of parchment with drypoint illustration on front cover.