Contemporary Tendencies 1970-2000

The last thirty years have seen continuous energy in the production of artists’ books in the United States. The period also witnessed the re-emergence of a new generation of European artists, writers and publishers devoted to originality in artists’ books that have maintained a creative parity with American publications. In fact there has been a tremendous cross-fertilisation with American and European artists and writers collaborating on projects. Examples within this exhibition include Jasper Johns and Robert Ryman with Samuel Beckett, Robert Motherwell with Rafael Alberti, Robert Rauschenberg with Alain Robbe-Grillet, and Howard Hodgkin with Susan Sontag. Despite the advances and popularity of the computer, the artists’ book as a seemingly traditional, tactile, time/space experience joining image and text together on paper or other surfaces continues to be a viable art form. It has never been more popular among creative artists. Rather than fearing and avoiding technology, the future makers of artists’ books show promise in utilising new applications in unimaginable ways.

Adonides by Jacques Prévert

Book with 48 engravings in etching, aquatint and embossing on Arches wove paper; loose in wrappers with embossing on front and back covers.

Et sur la terre…

Book with 16 engravings on copper plate printed on Rives wove paper; loose in Rives wove wrappers with lettering on cover.

L'Odyssee by Jacques Lassaigne

Book with 12 etchings (color) on Rives wove paper; loose in cream wove wrappers.

Hard Light

Book with 52 pages containing 66 four color offset prints on Mountie Matte paper; perfect bound with full-bleed, 4-color photographic image on front cover.

Pasiphaé: Chant de Minos (Les Crétois), vols. I and II

Book in 2 volumes with 91 linocuts total on Rives wove paper; loose in wrappers, cover (front and back, vols. I and II) printed with blue toned linocut.

The Contemporary Gallery

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