Dada, Surrealism, War and its Aftermath 1935-1955

The Artists’ books in this gallery reflect the creativity and optimism of publishers, such as Ambroise Vollard, Albert Skira, and Tériade who, both before and after World War II, created ambitious and complex volumes with some of the greatest artists of the era. In contrast, however, the content of a number of books reflects the period of the 1930s and 1940s as a time of economic depression and a world war, followed by an uneasy peace. The variety of materials used in the construction of the books, from the simplest pamphlet clandestinely made in Paris under the occupying noses of the Nazis to luxurious volumes where no expense was spared, display their individuality and idiosyncratic nature during this period.

L'Antitête (Antihead) by Tristan Tzara (book)

Book (in three volumes, each covered in limp vellum with silver lettering on cover, decoration on spine) of 23 etchings on Auvergne handmade paper.

L'Antitête (Antihead) by Tristan Tzara, volume II: Minuit pour Géants

Book (volume II of III) of 7 etchings on Auvergne handmade paper from Richard de Bas, covered in limp vellum with silver lettering on cover.

Milarepa: Magicien - Poète - Ermite - Tibétain

Book with 5 etchings and 10 etched initials on Auvergne laid paper (watermarked with a weather vain showing a rooster ontop of a fish).

Les Murs (The Walls) by Guillevic

Book with 15 lithographes on Montval paper; within Montval wrappers; slipcase and chemise are covered in grey variagated paper.

Poemes de Charles d'Orleans

Book with 54 lithographs (color) on Arches wove paper; loose within wrappers with lithograph on front and back cover.

The Surrealism Gallery

A portrait of Ambroise Vollard,  behind a stack of books

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