Dada, Surrealism, War and its Aftermath 1935-1955

The Artists’ books in this gallery reflect the creativity and optimism of publishers, such as Ambroise Vollard, Albert Skira, and Tériade who, both before and after World War II, created ambitious and complex volumes with some of the greatest artists of the era. In contrast, however, the content of a number of books reflects the period of the 1930s and 1940s as a time of economic depression and a world war, followed by an uneasy peace. The variety of materials used in the construction of the books, from the simplest pamphlet clandestinely made in Paris under the occupying noses of the Nazis to luxurious volumes where no expense was spared, display their individuality and idiosyncratic nature during this period.

L'Antitête by Tristan Tzara

Book with 1 etching on Japan nacré paper; Japan nacré wrappers with printing on the covers and spine; protective boards covered with green paper.

La Tentation de Saint Antoine

Book with 23 lithographs on Arches wove paper; loose in wrappers with lettering and detail on cover; chemise is half bound with black morocco.

Fortune Magazine, Volume VII, Number 4

Printed paper magazine, published April 1933

Museum purchase, Reva and David Logan Fund.

Les Chants de maldoror by Comte de Lautréamont

Book with 42 photogravures reworked in drypoint on Arches paper; loose in wrappers with lettering on front cover.

Troisiéme Cahier Mardi: Le Feu

Book (volume 3, Mardi) with 44 line-block reproductions, after collages of steel engravings on Navarre wove paper; bound within red paper with text on the front cover.

The Surrealism Gallery

A portrait of Ambroise Vollard,  behind a stack of books

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